The abundant danger and physical pain endured by the lead character intermittently calls to mind the suffering depicted in 127 Hours, but this comparison only works to the present pic’s detriment.
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There’s no catharsis here, only confusion on top of shrugging shoulders and, after a brief one-year-later postscript, eye-rolling. While the film itself may jump the shark early on, a scene of the menace jumping the rock like a crazed seal in pursuit of its main course is saved for shortly before the murky underwater action climax, in which it’s impossible to discern what’s going on. The next day, Nancy is unable to warn the returning two dudes about what awaits them in the surf.īox-Office Preview: 'Independence Day: Resurgence' a Huge Wild Card And when the shark becomes frustrated by not quite managing to sink its many teeth into its blond main object of desire, it delivers capital punishment to a tubby drunk for the crime of trying to make off with Nancy’s backpack on the beach. There’s a large whale floating about nearby whose bloody open wounds prove enticing to the shark as well as to many birds. The med-school background comes in handy here, as it’s evidently taught her to (unconvincingly) suture a deep wound with the ear pins she conveniently wears. When Nancy stays out there a little too long and the beast shows up, she takes refuge on the only available real estate, a tiny rock island distinguished by its sharp edges and coral, on which she severely cuts a leg. She has the place, situated on a perfect, jungle-enshrouded crescent bay, almost to herself, save for a couple of local good-times guys who warn her about the tides and get in a couple of scenic runs before calling it a day. McLuhan, who was primarily focused on television, wanted viewers and users to understand that they were being changed more by the way they absorbed content than the content itself, giving birth to his famous phrase “The medium is the message.” With The Shallows-a troubling argument for the enormous effect the Internet has had on our brains-Carr followed in McLuhan’s footsteps, situating himself, in the words of one USA Today critic, as a “Paul Revere for our Net age.See Blake Lively's Press Tour Wardrobe for 'The Shallows' (So Far)Įstablishing from the outset a visual approach that presents no coherent style at all - shots come at you from persistently unrelated angles with inconsistent focal lengths and lenses, film speeds change willy-nilly - the helmer still manages to set up the basic situation: Gregarious Texan medical student Nancy (Lively) has come to her late mother’s favorite beach (with Australia’s stunning Lord Howe Island standing in for Mexico) for some head-clearing surfing. Understanding Media, a cult classic, was a resounding warning shot to all consumers of media. The influential work most notable for Carr’s purposes was arguably Understanding Media, by Marshall McLuhan. Dyson’s Darwin Among the Machines: The Evolution of Global Intelligence on the significance of Artificial Intelligence.
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Kandel’s In Search of Memory: The Emergence of a New Science of Mind on the science of the brain, Paul Saenger’s Space between Words: The Origins of Silent Reading on the history of the book, and George B. To write his own book, Carr looked to references on a plethora of topics. Far before The Shallows was published, as Carr acknowledges in the “Further Reading” segment of the book, writers have been expressing concern about the effects of technology on our intelligence and our quality of life.